In around 2013, artists like Yung Bae pioneered the genre of future funk, which took elements from early Japanese city pop and funk from the 1980s, and turned it into hyper-compressed, dull and nostalgic explosions of sampledelic sound. But in turn, it reinvigorated interest in the particular brand of city pop that had been sampled - and those already in the know about it will know it was already danceable and driving enough. ANRI, the singer hailing from Kanagawa, was a central artist in this early J-pop sound, and unwittingly paved the way for this decades-to-come cultural routing. Funky live horns, dynamic vocal jumps and an optimistic feel cut across her 1982 opus Heaven Beach - a more laid-back and relaxed album compared to her other projects, and only her fourth. Emblematic of the Sino-nostalgia that has taken the vaporwave and future funk community by storm, it was one of her four earliest albums to be released with the timeless Japanese music trademark - the obi-strip.