"The programme is a colourful one of concertos for a variety of instruments, wind and strings, in various combinations.
Apart from occasional instances of predictable passagework, present above all in some of the wind writing, this music is engaging on many different levels. Slow movements such as the wonderfully free violin fantasy of RV562 reveal the exhilarating flights of fancy of which Vivaldi was capable, while the profusion of alluring inflexions present in fast and slow movements alike makes strong appeal to the senses. Vivaldi was no stranger to the art of parody and, in the opening movement of RV568, we find him introducing sensuous, sighing quaver motifs present in the finale of the Concerto a due cori per la Santissima Assenzione di Maria Vergine (RV535). This kind of approach to Vivaldi's music greatly enlivens and refreshes its innate character. The disc is superbly recorded, allowing us to revel in every sonorous detail of solo and continuo playing alike."
- Gramophone Classical Music Guide
Musicians:
Conductor – Nicholas McGegan
Horn – Paul Avril (tracks: 1 to 3, 10 to 12, 16 to 18), R.J. Kelley (tracks: 1 to 3, 10 to 12, 16 to 18)
Oboe – Gonzalo X Ruiz (tracks: 13 to 15), Marc Schachman (tracks: 13 to 15)
Orchestra – Philharmonia Baroque Orchestra
Violin – Elizabeth Blumenstock (tracks: 1 to 3, 7 to9, 16 to 18), Katherine Kyme (tracks: 4 to 6, 10 to 12), Lisa Weiss (tracks: 4 to 6)
