Additionally the vinyl features a replica tour pass and a glossy 12 page booklet, which contains the original eight-page booklet alongside an exclusive and brand new essay entitled Rime And Punishment: Celebrating 40 Years Of Live After Death, where Iron Maiden Fan Club editor Alexander Milas interviews Steve Harris, Nicko McBrain, Rod Smallwood and acclaimed illustrator Derek Riggs about the legendary album.
As Steve Harris explains of the time, “We were touring our arses off. It was literally just, ‘record, tour, record, tour’ – we didn’t stop. Rod was cracking the old whip, and that was the right thing to do. I mean, we were totally up for it, it’s not like we were doing stuff that we didn’t want to do. You think you’re invincible – ‘Yeah, we’ll take that on, no problem.’ That’s the way to crack it. It’s the only way for a band like us because we had no radio play whatsoever back then.”
Widely acclaimed as not just the greatest heavy metal live album of all time, but one of the most iconic live releases in any musical genre, LIVE AFTER DEATH was recorded mostly during the four nights that Maiden played at Los Angeles’ Long Beach Arena in March 1985. The final side of the double album was recorded during the four nights the band played at Hammersmith Odeon in October 1984.
Both sets of concerts were part of the ground-breaking World Slavery Tour, in support of the band’s 1984 album Powerslave, which started in Poland and featured 187 concerts across 331 days. The tour firmly established Iron Maiden as one of the most exciting live bands on the planet, a reputation that they carry to this day.
