I had started to experiment with different tunings and one day I tuned down the lower B to G# and the main riff of what would later become Vicarious Redemption appeared from nowhere. I put a lot of effort into that song to make it a reference point of where we were going musically.
This would also be the first album where I had the full vocal responsibility. When we recorded two demo tracks in order to have something to show when we started to shop for labels, I had to do the vocals in one night and one morning. I remember leaving the studio after spending the night recording and feeling that this would never work out. I knew that taking over the vocal responsibility from Claes would be big shoes to fill, but maybe they were too big? I thought I sounded like a horse crow and if things didn’t improve, I needed to figure something out. Maybe a different vocalist? Luckily, and maybe by the grace of the metal gods, things did get better and we managed to record 30 minutes of music in just two days.
We put in a lot of effort to realize our vision of the stale, artificial city in all aspects of what an album is. The way we played guitar, the production, artwork and band photos, everything was done with the vision as a guide.
Vertikal is the album where we had the most precise vision of what we wanted to do and worked hardest to transform it from an idea into reality.
A lot of things happened during the years between Eternal Kingdom and Vertikal and I could continue writing for ages but this will do for now. Ten years have passed since its release and what felt like a rebirth of the band, the band that is still ongoing with new goals and missions. This box that we are very proud of consists of everything we recorded during the Vertikal session including the two demo tracks.
It’s a full circle kind of thing. At the time we had no label and now we are releasing it on our very own. Life is strange.
- Johannes Persson
